Among the whisperings and the champagne and the stars

The use of the onomatopoeic word, вЂњwhisperingsвЂќ assists in the building up of atmosphere in the scene, conjuring thoughts of illicit conversations, thus adding to the mystery surrounding Gatsby. There is also a self-destructive implication in comparing the guests to moths who fly into flames to their death. вЂќ Fitzgerald compares GatsbyвЂ™s guests вЂ“ the high society of New York and the surrounding area who exploit GatsbyвЂ™s great generosity вЂ“ to вЂњmothsвЂќ, in this simile, which presents the guests as selfish, hedonistic people, mindlessly drawn to the splendour of the parties, as moths are to light. Fitzgerald writes, вЂњIn his blue gardens men and girls came and went like moths among the whisperings and the champagne and the stars. The guests who вЂњcame and wentвЂќ all have an air of anonymity Fitzgerald presents them as faceless. The language used in the passage highlights this attribute for example, вЂњthe casual innuendo and introductions forgotten on the spot, and enthusiastic meetings between women who never knew each otherвЂ™s names. вЂќ This emphasises the reliance these people had on alcohol and the frivolity of the situation.ДЇitzgerald describes the bar as being in вЂњfull swingвЂќ and Fitzgerald personifies the air saying it is вЂњaliveвЂќ with the onomatopoeic вЂњchatter and laughterвЂ¦ вЂќ A major characteristic of the affluent in the 1920s was their carelessness, a trait of a number of people in the novel, including the Buchannans and Jordan Baker as well as the party guests. вЂќ Drink figures again later in a metaphorical manner вЂњlaughter is easier minute by minute, spilled with prodigality, tipped out at a cheerful word.

The extravagance relating to alcohol consumption is great there is even a bar with a вЂњreal brass rail вЂ¦ set up. The masses of вЂњoranges and lemonsвЂќ and constant references to вЂњgins and liquorsвЂќ and вЂњcocktails permeate the gardenвЂќ provide an explanation for the chaotic and destructive behaviour and later in the chapter the inebriation of the guests is revealed.

The вЂњfive crates of oranges and lemonsвЂќ that arrived every Friday are like GatsbyвЂ™s guests who left after expending all energy through partying вЂњevery MondayвЂ¦ вЂ¦ left his back door in a pyramid of pulpless halves. It is clear that GatsbyвЂ™s parties involve drinking on a grand scale, so they were in themselves unlawful at this time of prohibition. The chapter begins, вЂњThere was music in my neighbourвЂ™s house through the summer nightsвЂќ, which immediately informs the reader that parties were a regular occurrence, alluding to the indulgence of the host. Fitzgerald uses lavish images and detailed description to introduce to the reader the extravagance of GatsbyвЂ™s parties, which are representative of the excessive indulgence of the high society of the time.

He has not personally met the elusive Gatsby previously, having only seen him reaching out to the green light on DaisyвЂ™s dock, but he can see the spectacle of GatsbyвЂ™s mansion, inflated here in preparation for a party. In this passage, Nick, the narrator, sees the exhibition of wealth at his neighbourвЂ™s house intensify.

Among the whisperings and the champagne and the stars